GET YOUR MOJO WORKING
One might think it’s a simple job to design a simple guitar – but it’s quite the opposite. How to bring anything worthwhile into a concept that is already stellar? It’s all the little things. By cleaning up and revising every detail, one can do miracles. I got my mojo working good.
Juha Ruokangas – Master Guitar Maker
MOJO CLASSIC
First I dodged the idea of touching this style that has so often been modified but rarely improved upon. I’m glad I finally went for it, and I learned a lot on the way, too. In Leonardo da Vinci’s words – simplicity is the ultimate sophistication.
MOJO KING
As I turned 40, I couldn’t afford a race car. I ended up designing this guitar instead – the embodiment of my mid-life crisis! The Mojo King is great fun – it has tons of tonal options, and I love the hot rodded looks of it, too.
MOJO GRANDE
MAKING THE MOJO
Tone is usually my first source of inspiration when making a new guitar model. On the Mojo model, Wilko Johnson was definitely one of my key influences. Listen to the early Dr. Feelgood tunes ‘I Don’t Mind’ or ‘Keep It Out Of Sight’. Mind blowing sounds and attitude!
Watch the Ruokangas YouTube channel Mojo Playlist – a collection of videos we’ve either filmed by ourselves or found online and wanted to share with you.
OPEN VOICED
Finnish alder has a warm, yellowish to brownish natural color, and when skillfully finished, the grain has a beautiful shimmer. Alder gives our bolt-on guitars a classic, open voiced and ringing tone that most players would define as “vintage”.
STRONG WOOD
Rock maple is a stable and strong wood that is ideally suitable to be used for bolt-on guitar necks. It just works so well in every regard. We offer maple also for fretboards, adding brilliance and clarity to the overall tone.
THERMALLY AGED
Thermally aged tonewood behaves the same way as naturally seasoned wood does. When done the right way, thermal ageing has only positive effects. I’ve used thermally aged tonewood in my guitars since before turn of the millennium, and later on it has become popular all around the world among luthiers and guitar factories.
Admirable dedication
Juha is a passionate, adventurous builder with an admirable dedication to using locally sourced materials.
Like and old friend
… the guitar feels like someone you have known for a long time and want to continue spending time with.
Feels just right
In a world of superfluous mass-production it’s a joy to come upon such craft going all the way, becoming true art.
Simply the best
Your Mojo is simply the best – and I’ve played hundreds, including all the top brands.
Time to buy
Last time I bought an electric guitar (Telecaster) in 1966, and now it’s time to buy another one. This is superb!
Piece of art
My 12-stringed Mojo Grande is a true piece of art, brilliant grand sound, easy to play and joy to eye.
Life’s too short
Life is just too short to play bad guitars.
So much easier
The Mojo Classic is a great instrument – it’s going to make guitar recording so much easier!
Sounds incredible
This Mojo is the very best guitar I’ve ever played. It looks, feels and sounds incredible!
Lost for words
I’m lost for words to express what my ears hear, my eyes see and my fingers feel – you exceeded my all expectations!
TWANG
Why do some guitars have “more twang” than others? This characteristic tone quality that many desire is a sum of many variables – wood species, construction, pickups, bridge, string gauge – and eventually it boils down to how each player digs the notes out of the instrument.
RESPONSIBILITY
We make one guitar at a time. Each guitar is made by one luthier. This means that every guitar part we make gets uninterrupted attention to detail, and it enables us to take your custom wishes into account better. And besides – it’s way more fun to make guitars this way!
JOB DONE RIGHT
People often ask me if a set-neck is better than a bolt-on neck. It’s not really about better or worse. Different joint styles serve different purposes. And regarding quality – one can make a great set neck – or a poor one. We prefer doing our job so that we can sleep well at night.
TRUSS ROD
Electric guitars made in the 1950’s had a very simple truss rod that was able to correct an up-bowed neck. Such truss rods are still used a lot. To me this is a no-brainer – sometimes the old way just isn’t the best way. All my guitars have a high quality double-way truss rod that doesn’t cause trouble in any climate.
BUILT FOR LIFE
Our purpose is to create the ideal tools for your art of making music. To achieve this goal, each of our guitars is individually handmade to the highest standard by one of us, the Ruokangas team, using the finest materials in the world. No serial production methods or automated processes are involved in the making.
VALVEBUCKER
Most of the times, new developments in electric guitars and guitar gear aim at reproducing those beloved vintage tones we all love. Our new invention, the Valvebucker, is different. A game changer. It uses old school technology, but produces a genuinely new electric guitar sound.
REAL STEEL
Not many come to think that one of the key reasons for the twangy sound of this style guitar is the traditional bridge baseplate made of steel. It is a magnetic material that changes the shape of the magnetic field of the pickup, emphasizing the characteristic edgy sound of this type guitars.
SMOOTH AS BUTTER
We’ve decided not to count the hours or the minutes, but instead just keep on doing the very best we can. Skillfully installed and finished frets make a worlds difference to how the guitar feels to play. Expert levelling enables super low and buzz free action – and mirror buffed frets make bending notes smooth as butter.
GUITAR YOU CHOOSE TO PLAY
A musician recognizes an exceptional instrument when he plays one. Our mission is to make sure that every Ruokangas guitar that leaves our shop is such an instrument.
THE GUITARS I USE
I own many guitars – some good, some even great. Then I have the ones I use. They’re all Ruokangas guitars.
– Juha Torvinen | Eppu Normaali Homepage
FOCAL POINT
Electric guitar was an inseparable part of the pop culture revolution in the 1950’s. But it’s still a young musical instrument, that keeps on evolving in the hands of guitar makers around the world. I’m proud and thankful to exist in the focal point of this invigorating age, when guitars are made better than ever before.
– Juha Ruokangas