One might think it's a simple job to design a simple guitar - but it's quite the opposite. How to bring anything genuinely worthwhile into a concept that is already stellar? It's all the little things. By cleaning up every detail, revising every feature and selecting the best materials, one can do miracles. I got my mojo working good.
Juha Ruokangas - Master Guitar Maker
First I dodged the idea of touching this style that has so often been modified but rarely improved upon. I'm glad I finally went for it, and I learned a lot on the way, too. In Leonardo da Vinci's words - simplicity is the ultimate sophistication.
As I turned 40, I couldn't afford a race car, so I ended up designing this guitar instead - the embodiment of my mid-life crisis! The Mojo King is great fun - it has tons of tonal options, and I totally love the hot rodded looks of it, too.
When Tommy Emmanuel bought a Mojo Grande from me, he said it was "the most acoustic electric guitar" he had ever played. That's a great definition for the Grande - it's as if there’s nothing standing between your fingers and making music.
Tone is usually my first source of inspiration when making a new guitar model. Regarding the Mojo model, Wilko Johnson was definitely one of my key influences. Listen to the early Dr. Feelgood tunes 'I Don't Mind' or 'Keep It Out Of Sight'. Mind blowing sounds and attitude!
Finnish alder has a warm, yellowish to brownish natural color, and when skillfully finished, the grain has a beautiful shimmer. Alder gives our bolt-on guitars a classic, open voiced and ringing tone that most players would define as “vintage”.
Thermo treatment changes wood in the same way as decades of natural aging does. When done the right way, thermo treatment has only positive effects. I’ve used thermo treated wood in my guitars since before turn of the millennium, and later on it has become popular all around the world among luthiers and guitar factories.
"Plugging in the Mojo Grande was pure pleasure."
- Guitar One Magazine (USA)
"You don’t have to look long to see the Mojo King is something special."
- Premier Guitar (USA)
"The tone and responsiveness are amazing, it feels as if the guitar is alive!"
- Stuart Skilling (UK)
"The Mojo Deluxe range of tone and dynamics I can achieve just by using the pots is truly amazing."
- Ralph Schomaker (Germany)
"The Mojo Classic is so exceptionally resonant unplugged - it's like playing an acoustic guitar!"
- Jeff Van Blarcom (USA)
"The Mojo Classic has become my absolute favorite guitar in all aspects. I love it!"
- Tomas Jonsson (Sweden)
"Absolutely gorgeous, love it. Beautiful! I like how the frets feel too. They’re very friendly frets."
- Tommy Emmanuel / CGP (USA)
"The Mojo King is so versatile - cuts through the mix - gorgeous in-between tones... and such an exceptional twang!"
- Stephan Wolter (Germany)
"My new Mojo King delivers from the sweetest to meanest best sound, such great versatility!"
- Alexander Valverde (Canada / Costa Rica)
"In Finland, guitar making is a matter of great pride. And they must be crazy proud of Ruokangas Guitars."
- Guitar Connoisseur
"The Mojo Classic is a beautiful instrument that plays and sounds wonderful!"
- John Bishop (USA)
"… the guitar feels like someone you have known for a long time and want to continue spending time with."
- FUZZ Magazine (Sweden)
"... beautifully built on a level that is virtually non-existent among all but a few instruments made today at any price."
- ToneQuest Report (USA)
"The Mojo Classic is a great instrument - it's going to make guitar recording so much easier!"
- Johan Rahmström (Sweden)
"But the neck is what did it for me. It stands out as the most comfortable and inviting I’ve ever encountered."
- Premier Guitar (USA)
"My Mojo King is a wonderful instrument - so responsive - it has a soul, I think!"
- Jean-Philippe Marchand (Switzerland)
"The Mojo Classic is one of the most versatile tools to get the sound needed in jazz and soul. I love it!"
- Flo Zepf (Germany)
"Both the Duke and Mojo are flawlessly finished with details you simply don’t see today."
- ToneQuest Report (USA)
Why do some guitars have "more twang" than others? This characteristic tone quality that many desire is a sum of many variables - wood species, construction, pickups, bridge, string gauge - and eventually it boils down to how each player digs the notes out of the instrument.
We make one guitar at a time. Each guitar is made by one luthier. This means that every guitar part we make gets uninterrupted attention to detail, and it enables us to take your custom wishes into account better. And besides - it's way more fun to make guitars this way!
People often ask me if a set-neck is better than a bolt-on neck. It's not really about better or worse. Different joint styles serve different purposes. And regarding quality - one can make a great set neck - or a poor one. We prefer doing our job so that we can sleep well at night.
Electric guitars made in the 1950's had a very simple truss rod that was able to correct an up-bowed neck. Such truss rods are still used a lot. To me this is a no-brainer - sometimes the old way just isn't the best way. All my guitars have a high quality double-way truss rod that doesn't cause trouble in any climate.
Our purpose is to create the ideal tools for your art of making music. To achieve this goal, each of our guitars is individually handmade to the highest standard by one of us, the Ruokangas team, using the finest materials in the world. No serial production methods or automated processes are involved in the making.
One can claim that a magnetic pickup only picks up the vibration of the strings - not the sound of the guitar. True. But - the way the strings sound, the way the harmonics of strings are enhanced or cancelled, the interaction between the strings and the rest of the guitar - that is a complex equation!
Not many come to think that one of the key reasons for the twangy sound of this style guitar is the traditional bridge baseplate made of steel. It is a magnetic material that changes the shape of the magnetic field of the pickup, emphasizing the characteristic edgy sound of this type guitars.
We’ve decided not to count the hours or the minutes, but instead just keep on doing the very best we can. Skillfully installed and finished frets make a worlds difference to how the guitar feels to play. Expert levelling enables super low and buzz free action – and mirror buffed frets make bending notes smooth as butter.
A musician recognizes an exceptional instrument when he plays one. Our mission is to make sure that every single Ruokangas guitar that leaves our shop is such an instrument.
I own many guitars - some good, some even great. Then I have the ones I use. They're all Ruokangas guitars.
– Juha Torvinen
Electric guitar was an inseparable part of the pop culture revolution in the 1950's. But it's still a young musical instrument, that keeps on evolving in the hands of guitar makers around the world. I'm proud and thankful to exist in the focal point of this invigorating age, when guitars are made better than ever before.
– Juha Ruokangas